AKG D112 SPECS PDF

D Bass Dynamic Microphone. Description. The pop recording industry AKG Model D is a descendent of AKG’s earlier D12 Frequency response. Give your kick the sound it deserves with the AKG D MKII. Specially engineered diaphragm for excellent low-frequency response. The D MKII’s specially. 1 The D MKII cardioid dynamic mic can handle more than dB SPL without distortion. 20 Hz to 17 kHz (see frequency response trace).

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Absolutely free of distortion even at high akt pressure levels, very low diaphragm resonance, a relatively narrow-band rising high frequency response at 4 kHz and an extremely robust construction are the outstanding features of the D mic. Built to handle SPL of up to dB without a problem, even low bass sounds are clean and powerful.

Plus, mid v112 high frequency tailoring keep the instrument clearly distinguishable in the mix. This low impedance mic comes with a stand adapter. What started as a simple string and pedal sales catalog has grown exponentially over the past thirty years.

AKG Acoustics D |

The spscs days were a time where catalogs didn’t have much of a presence in the industry, spdcs what began as a college dorm room operation grew rapidly. In we moved to speds full product offering and page catalog, which over the years has grown to pages. Join the AMS family and get your free catalog now! If a product is listed at an incorrect price due to such errors or because of inaccurate information received from a supplier, American Musical Supply shall have the right to refuse or cancel any orders placed, whether or not the order has been confirmed and your credit card charged.

If your credit card has already been charged for the purchase and your order is canceled, American Musical Supply will issue a credit to your credit card account in the amount of the charge. This item is no longer available.

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Helpful Info about the Manufacturer Phone: Zef from South NJ near philly Submitted: Currently there are no discussions available for this item. Click here to add a discussion for this item. Customer Service customerservice americanmusical. Bizrate Circle of Excellence. If you mic drums in any capacity, this is the mic you need. Ive used it to mic bass cabs before, as well and its darn good. All around the best kick mic in the world Must have for d1122 recording!

I haven’t tested v112 for durabilty or anything, but I confided it a very high quality product.

Not really any features, it does what it does and does it well, very punchy thick and fat kick sound especially for hard rock or metal, the perfect sound with very little post work needed if at all! I gave 4 stars here becuase like all kick mics, you have to find the spot, you can’t just throw it in front of the drum and get it punchy or boomy you have to play with it. Holy shxt is what me and my drummer friend said when we heard it back on the monitors. Well built, I have 2 at my club and own a third for my studio.

Its a mic it doesnt feature much more than tone. As long as you know how to EQ a kick drum or floor tom, you dpecs be good. I have used this mic for years. Only recently have I strayed aky from my D to use my D Your general opinion of this product. I hanvt droped it wkg to find out if it can handle abuse yet I mainly use it for Kick drum I record bass guitar into the computer Id pay wpecs if I had to.

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AKG D112 Professional Large Diaphragm Dynamic Bass Microphone

If you wkg the LArs from metallica bass sound from the “And justice for all” Record A lot of kick drum mics are getting hyped today In the end, with EQ’s and compressors after post production I just got with this cus its tried and true. Not just for the kick drum.

One time I just couldn’t get a good guitar sound with a sm57 even with a nice condenser backing it upso I stuck a d right in front of speaker cone. It sounded like a 57 with balls. I don’t use on guitar every time I”m recording a band, but it’s a nice second option. Slammin’ Bass Drum Sound. My speacialty is recording ROCK bands 30 years experience so you’ll have to take that into consideration for this comment section.

That said, I’ve used many microphones searching for that “elusive” solid bass drum sound. I’ve also experimented with two or three microphones recorded at once for side-by-side comparisons stereo bass drum anyone?

Sound is a subjective thing and everyone has some kind of opinion, but for my money and trouble I always reach for the AKG D first. It has a nice fat and solid sound with a distinctive “smack” when the beater hits the head. It has attitude that prints well to a hard drive and it lets the bass drum cut through a wall-of-guitar sound so it can be heard in the mix. If you like ROCK then you’ll really like this microphone.

And my second choice for recording the bass drum? Well, that’s another comment for another day.