Find great deals for Bunt MAS – Jose Ortega Y Gasset. Shop with confidence on eBay!. José Ortega y Gasset was a Spanish philosopher, and essayist. He worked during the first half .. Antonio Rodríguez Huéscar. Jose Ortega y Gasset’s Metaphysical Innovation: A Critique and Overcoming of Idealism, SUNY Press, Bunt mas i inne pisma socjologiczne – José Ortega y Gasset, Piotr Niklewicz, Jerzy by: Jerzy Szacki (author) Piotr Niklewicz (author) José Ortega y Gasset.

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Gadamer speaks in this context of a fusion of horizons, gasse the collision of what derives from the past with what constitutes the present perspective of the viewer. It is important here to emphasise along with Gadamer that this is a question of a real experience that transforms the interpreter. In this sense Ortega y Gasset wrote that life is at the same time fate and freedom, and that freedom “is being free inside of a given fate. Orteega idea of art as an ironic game between the work and the viewer was not yet widely accessible.

The meaning of the new art appeared, therefore, at the moment of recognition of the purely aesthetic value of the work. These reflections revolve around the concept of crisis of art as it was understood by both thinkers. University of Missouri Press, nas, p. Contemporary art is no longer a continuation of the tradition.

La rebelión de las masas

Ortega y Gasset had considerable influence on writers of the Generation of ’27a group of poets that arose in Spanish literature in the s. He suggests that there is no ‘me’ without things, and things are nothing without me: By using this site, you agree to the Terms of Use and Privacy Policy. The role of not only the modern audience, but also the entire set of critics and aestheticians, is to respond creatively to the challenges art poses us. In he returned to Madrid, where he founded the Institute of Humanities, at which he lectured.


Metaphor was, at the same time, another essential feature of dehumanised art.

The latter made him internationally famous. Part of a series on.

José Ortega y Gasset

Ortega y Gasset seems to occupy the opposite pole; for him, art is frivolous, ironic game lacking a metaphysical dimension. Ortega y Gasset identified this aesthetic object k the new art with a metaphoric object.

The new art, in his view, was antipopular by definition: Goodreads helps you keep track of books you want to read. The cognitive value of the new art was based on meanings that were no longer simply a way to recognise a work based on the gaxset of its content to reality, as was the case in traditional art.

Even if it seems today that we are familiar with the shape of the new art, interpreting it evidently remains a challenge for us.

Cedric rated it did not like it Jan 13, We still have not dealt with the issues of its essence, meaning and function. In Ortega’s words, humans have “no nature, but history” and reason should mass focus on what is static but what becomes dynamic. The American philosopher Graham Harman has recognized Ortega y Gasset as a source of inspiration for his own object-oriented ontology.

Everything in the world is strange and marvelous to well-open eyes. Thus, hermeneutics encompasses aesthetics.

He worked during the first half of the 20th century, while Spain oscillated between monarchyrepublicanismand dictatorship. Works of art connect people with one another and bind them in a common dialogue. Find it on Scholar. His philosophy has been characterized as a ” philosophy of life ” that “comprised a long-hidden beginning in a pragmatist metaphysics inspired by William Jamesand with a general method from a realist phenomenology imitating Edmund Husserlwhich served both his proto- existentialism prior to Martin Heidegger’s [1] and his realist historicismwhich has been compared to both Wilhelm Dilthey and Benedetto Croce.

For Ortega y Gasset, as for Husserl, the Cartesian ‘ cogito ergo sum ‘ is insufficient to explain reality. Festival of Art or Crisis of Art?

However, it is necessary to make an effort to benefit from what art offers. Victor Ouimette – – Twayne Publishers.

La rebelión de las masas by José Ortega y Gasset (1 star ratings)

Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. This stood at the root of his Kantian -inspired perspectivism[1] which he developed by adding a non-relativistic character in which absolute truth does exist and would be obtained by the sum of all perspectives of all lives, since for each human being life takes a concrete form and life itself is a true radical reality from which any philosophical system must derive.


This entry has no external links. The author it seems is heartbroken to see European countries fighting each other when they should be united in their natural and noble quest of civil Started this book with high expectation considering that it is repeatedly called one of the best works of non-fiction in 19th century but was totally disappointed with the book. And not only in terms of content but in form also, even though it is small, the book drags and bores.

The opening of the interpretative horizon of art took place along with its autonomisation, implemented by Immanuel Kant, and today the horizon seems to be continuously expanding. Such a waste of time on Saturday morning. This circunstancia is oppressive; therefore, there is a continual dialectical interaction between the person and his or her circumstances and, as a result, life is a drama that exists between necessity and freedom.

On the back o Weak-minded; plagued by a persistent and self-described eurocentrism, leading to much bemoaning the downfall of the once-great empires of the West while giving no recognition to non-European civilization.

José Ortega y Gasset – Wikipedia

Return to Book Page. Lists with This Book. Want to Read Currently Reading Read. Selected essays], Warsaw Gadamer, Hans-Georg, Koniec sztuki? Stanford Encyclopedia of Philosophy.